"Magnificat: II. Shall I Rejoice (Version for Full Orchestra)" by Taylor Scott Davis, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith was released on November 3, 2023. Magnificat: II. Shall I Rejoice (Version for Full Orchestra) is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 6 out of 15 in A Choral Christmas by VOCES8, George Frideric Handel, VOCES8 Foundation Choir, William J. Kirkpatrick, VOCES8 Foundation Orchestra, Bob Chilcott, Barnaby Smith, John Francis Wade, Taylor Scott Davis, Franz Xaver Gruber, Thomas Hewitt Jones, Leroy Anderson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Magnificat: II. Shall I Rejoice (Version for Full Orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat: II. Shall I Rejoice (Version for Full Orchestra) by Taylor Scott Davis, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: Psalm 23 | Herbert Howells, Choir of St. John's College, Cambridge, Christopher Robinson | D Major | 0 | 10B | 89 BPM | ||
The Angel Gabriel | Robert Prizeman, Traditional, Sabine Baring-Gould, Libera | A Minor | 2 | 8A | 129 BPM | ||
Angelus ad Virginem | Traditional, Voces8 | F♯ Major | 2 | 2B | 82 BPM | ||
Jesus Christ the Apple Tree | Elizabeth Poston, Choir of King's College, Cambridge, Stephen Cleobury | C Major | 1 | 8B | 91 BPM | ||
It Came Upon A Midnight Clear - Studio | Crouch End Festival Chorus | E♭ Major | 3 | 5B | 86 BPM | ||
Sussex Carol | Royal Philharmonic Orchestra | F Major | 2 | 7B | 80 BPM | ||
Jesu Redemptor Omnium | Benedictines of Mary, Queen of Apostles | C Major | 1 | 8B | 104 BPM | ||
Angels we have heard on high | Chanticleer | F♯ Major | 1 | 2B | 169 BPM | ||
5 English Folk Songs: No. 5. Wassail song | Ralph Vaughan Williams, The Cambridge Singers, John Rutter | A Major | 2 | 11B | 95 BPM | ||
Mary's Boy Child | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | B♭ Major | 3 | 6B | 104 BPM |
Section: 0.5809857845306396
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