Oktavian Ensemble's 'Harmoniemusik Zu Don Giovanni: Vedrai, Carino' came out on March 22, 2010. The duration of Harmoniemusik Zu Don Giovanni: Vedrai, Carino is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Harmoniemusik Zu Don Giovanni: Vedrai, Carino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Oktavian Ensemble". In this album, this song's track order is #8. Based on our statistics, Harmoniemusik Zu Don Giovanni: Vedrai, Carino's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Harmoniemusik Zu Don Giovanni: Vedrai, Carino by Oktavian Ensemble having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Sextet in E-Flat Major, Op. 81b: III. Rondo | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 1 | 5B | 134 BPM | ||
Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Symphony No. 1 in C Major, "Die 4 Weltalter" (the 4 Ages of the World): III. Minuetto con garbo | Carl Ditters von Dittersdorf, Failoni Kamarazenekar, Hanspeter Gmür | A Minor | 0 | 8A | 125 BPM | ||
幕間曲:土耳其進行曲 | 賦格樂集 | C Major | 1 | 8B | 111 BPM | ||
Die Schöpfung: Oft gemmas au | Joseph Haydn, Oktavian Ensemble, Franz Strasser | F Minor | 2 | 4A | 101 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Ransom Wilson, François Dumont | G Minor | 0 | 6A | 68 BPM |
Section: 0.8055696487426758
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