On 1981, the song "Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: II. Largo" was released by George Frideric Handel, English Baroque Soloists, John Eliot Gardiner. With this song being about 5 minutes long, at 4:45, "Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: II. Largo" by George Frideric Handel, English Baroque Soloists, John Eliot Gardiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, John Eliot Gardiner & English Baroque Soloists, John Eliot Gardiner, English Baroque Soloists's "Handel : 6 Concerti grossi Op.3 (Apex)" album is number 20 out of 21. On top of that, France appears to be the country where this track was created. In terms of popularity, Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: II. Largo is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Handel: Concerto grosso in B-Flat Major, Op. 3 No. 1, HWV 312: II. Largo by George Frideric Handel, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Ein Musikalischer Spass (A Musical Joke), K. 522: IV. Presto | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | E Major | 1 | 12B | 131 BPM | ||
Concerto for Flute and 2 Violins in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 2 | 9B | 104 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Oboe Concerto in C Major, K. 314: III. Rondo (Allegretto) - Cadenza: Randall Wolfgang | Wolfgang Amadeus Mozart, Randall Wolfgang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 118 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: II. Romance. Andante cantabile | Wolfgang Amadeus Mozart, Radovan Vlatkovic, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 0 | 6B | 84 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
12 Concerti grossi, Op.6 - Concerto grosso in Bb major, Op. 6, No. 7: 1. Largo | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | E Major | 0 | 12B | 80 BPM |
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