"Pique Dame: Ouverture" by Franz von Suppé, London Philharmonic Orchestra, Sir Georg Solti was released on March 3, 2023. Since Pique Dame: Ouverture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in London Philharmonic Orchestra's "London Philharmonic Orchestra: Light Cavalry - Ouvertures from Vienna to Paris" album is number 3 out of 7. On top of that, Germany appears to be the country where this track was created. Pique Dame: Ouverture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pique Dame: Ouverture by Franz von Suppé, London Philharmonic Orchestra, Sir Georg Solti to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic March, Op. 31: Moderato in modo di marcia funebre - Andante molto maestoso - Allegro risoluto | Pyotr Ilyich Tchaikovsky, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 3 | 11B | 81 BPM | ||
Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
Karelia Suite, Op. 11: III. Alla marcia | Jean Sibelius, Raimo Laukka, Lahti Symphony Orchestra, Osmo Vänskä | A Major | 2 | 11B | 179 BPM | ||
Requiem: Dies irae | Franz von Suppé, Wolfgang Badun, Jugendsinfonieorchester de Bonn, Ouliana Tchaikowski, Danielle Michèle, Gilles Vitale, Jean-Louis Bindi, Bernard Lallement, Chorale franco-allemande de Paris | G Minor | 4 | 6A | 96 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 79 BPM | ||
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance | Edvard Grieg, Esa-Pekka Salonen | A Major | 0 | 11B | 167 BPM | ||
Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM |
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