On January 1, 1984, the song "Prelude and Fugue in F (WTK, Book I, No.11), BWV 856" was released by Johann Sebastian Bach, András Schiff. The duration of Prelude and Fugue in F (WTK, Book I, No.11), BWV 856 is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Prelude and Fugue in F (WTK, Book I, No.11), BWV 856's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 24 in Bach, J.S.: Das Wohltemperierte Klavier I by Johann Sebastian Bach, András Schiff. Prelude and Fugue in F (WTK, Book I, No.11), BWV 856 is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Prelude and Fugue in F (WTK, Book I, No.11), BWV 856 by Johann Sebastian Bach, András Schiff is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita No. 4 in D Major, BWV 828: I. Ouverture | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
French Suite No. 4 in E-Flat Major, BWV 815: IV. Gavotte | Johann Sebastian Bach, Murray Perahia | E♭ Major | 2 | 5B | 105 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Prelude and Fugue in B flat minor (WTK, Book I, No.22), BWV 867 | Johann Sebastian Bach, András Schiff | B♭ Minor | 1 | 3A | 106 BPM | ||
La naissance de Vénus, LWV 27, Pt. 2: Grand dieu des enfers (Arr. G. Tailleferre for Piano) | Jean-Baptiste Lully, Nicolas Horvath | B Major | 2 | 1B | 108 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM |
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