"Cello Concerto in D major, H.VIIb:4: 2. Adagio" by Joseph Haydn, Julian Lloyd Webber, English Chamber Orchestra was released on October 1, 1985. Cello Concerto in D major, H.VIIb:4: 2. Adagio appears to be safe for all ages as it is not explicit. The track order of this song in Joseph Haydn, Julian Lloyd Webber, English Chamber Orchestra's "Haydn: Cello Concertos Nos. 1 & 4" album is number 5 out of 6. On top of that, Netherlands appears to be the country where this track was created. Cello Concerto in D major, H.VIIb:4: 2. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto in D major, H.VIIb:4: 2. Adagio by Joseph Haydn, Julian Lloyd Webber, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Bassoon Concerto in C Major, RV 474: I. Allegro | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | C Major | 2 | 8B | 123 BPM | ||
Keyboard Sonata No. 53 in E Minor, Hob.XVI:34: III. Vivace molto | Joseph Haydn, Jenő Jandó | E Major | 1 | 12B | 131 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
Flute Quintet No. 1 in D Major, Op. 17, G. 419: II. Minuetto: Amoroso | Luigi Boccherini, Alexandre Magnin, Janáček Quartet | D Major | 0 | 10B | 87 BPM | ||
Mass No. 7 in B-Flat Major, Hob.XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Gloria | Joseph Haydn, Viktoria Loukianetz, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Béla Drahos | B♭ Major | 1 | 6B | 125 BPM | ||
Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | G Minor | 1 | 6A | 135 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 128 BPM |
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