Marin Marais, Philippe Estèphe, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet's 'Ariane et Bacchus, Act II: Air. À la beauté l'on trouve mille charmes' had a release date set for March 17, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 54 out of 104. On top of that, France appears to be the country where this track was created. In terms of popularity, Ariane et Bacchus, Act II: Air. À la beauté l'on trouve mille charmes is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ariane et Bacchus, Act II: Air. À la beauté l'on trouve mille charmes by Marin Marais, Philippe Estèphe, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) | Johann Sebastian Bach, Wu Wei, Holland Baroque | D Major | 1 | 10B | 97 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Adue Sweet Love | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 110 BPM | ||
La Sonnerie de Sainte Geneviève du Mont de Paris | Marin Marais, Trio Sonnerie | A♭ Major | 0 | 4B | 69 BPM | ||
Concert XLI: Le retour - en pianelle | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Major | 0 | 3B | 0 BPM | ||
Suite in G Major: I. Prelude | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 100 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM | ||
Quatrième Concert: Forlane. Rondeau - Gayement (Couperin) | Le Concert Des Nations, Jordi Savall | D Major | 2 | 10B | 100 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: I. Largo | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 1 | 5A | 127 BPM |