Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort's 'Psalm 103:8 "Gelijk het gras is ons kortstondig leven"' came out on 2016. With Psalm 103:8 "Gelijk het gras is ons kortstondig leven" being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Psalm 103:8 "Gelijk het gras is ons kortstondig leven" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 103:8 "Gelijk het gras is ons kortstondig leven" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | F♯ Major | 2 | 2B | 72 BPM | ||
Gesu al Calvario, ZWV 62: Chorus: Questo e il monte salutare (Chorus) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
Psalm 90:6 "Helaas, het best van onze beste dagen" | Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort | A♭ Major | 2 | 4B | 88 BPM | ||
Clarifica me Pater I | William Byrd, Nicolas Haigh, Jeremy Filsell | E♭ Major | 2 | 5B | 85 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Gelobet sei der Herr, TWV 1:602/1216: Singt gegeneinander | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 121 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation X | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
Koralpartita nr. 1, Op. 7: I. Langsomt koraltempo | Egil Hovland, Anders Eidsten Dahl | D Major | 3 | 10B | 92 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Erschienen ist der herrlich Tag, BuxWV 224 | Łukasz Bobka | A Minor | 3 | 8A | 70 BPM |
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