Arthur de Lulli, Lang Lang made "The Celebrated Chop Waltz "Chopsticks"" available on March 29, 2019. The duration of The Celebrated Chop Waltz "Chopsticks" is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. The Celebrated Chop Waltz "Chopsticks"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Piano Book (Deluxe Edition)". In this album, this song's track order is #35. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Celebrated Chop Waltz "Chopsticks"'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Celebrated Chop Waltz "Chopsticks" by Arthur de Lulli, Lang Lang having a BPM of 158 with a half-time of 79 BPM and a double-time of 316 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | G Minor | 3 | 6A | 133 BPM | ||
La Priere d'une Vierge | Tekla Bądarzewska-Baranowska, Tekla Baranowska, Masako Ezaki | E♭ Major | 1 | 5B | 139 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 137 BPM | ||
The Planets Suite, Op. 32: Jupiter | Gustav Holst, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 172 BPM | ||
Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Preludes, Op. 28: No. 15 Prelude in D-Flat Major, "Raindrop" | John Champ | D♭ Major | 0 | 3B | 74 BPM | ||
Peer Gynt, Op. 23: Prelude to Act 4 (Morning mood) | Edvard Grieg, San Francisco Symphony, Edo de Waart | E Major | 0 | 12B | 69 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Werner Haas | D♭ Major | 0 | 3B | 126 BPM |
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