"Symphony No. 3 In C Major: II. Andante" by Étienne Nicolas Méhul, Orchestra of the Gulbenkian Foundation, Michel Swierczewski, Philharmonia, Austro-Hungarian Haydn Orchestra, English String Orchestra was released on November 1, 1996. Since Symphony No. 3 In C Major: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "The Jane Austen Companion". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Symphony No. 3 In C Major: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 3 In C Major: II. Andante by Étienne Nicolas Méhul, Orchestra of the Gulbenkian Foundation, Michel Swierczewski, Philharmonia, Austro-Hungarian Haydn Orchestra, English String Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | E♭ Major | 6 | 5B | 110 BPM | ||
Gopak from Sorochinsky Fair | Modest Mussorgsky, Philharmonia Orchestra, Geoffrey Simon | G Major | 2 | 9B | 157 BPM | ||
La Carmagnole - Ah Ca Ira | Anonyme, Garde Républicaine - Roger Boutry, Roger Boutry | B♭ Major | 7 | 6B | 133 BPM | ||
Concert de Trompettes: Prélude avec les trompettes, Rondeau | Michel Richard Delalande, La Simphonie Du Marais, Hugo Reyne | C Major | 3 | 8B | 136 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Towards Victory | Fyodor Biryuchev | A Minor | 4 | 8A | 118 BPM | ||
Elgar: Pomp and Circumstance, Op. 39: IV. March No. 4 in G Major (Allegro marziale - Nobilmente) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | C Major | 3 | 8B | 110 BPM | ||
Melidore et Phrosine | Étienne Nicolas Méhul, Orchestre de Bretagne, Stefan Sanderling | D Minor | 0 | 7A | 143 BPM | ||
Marche Des Trompettes D'aïda | Les Trompettes Du Boute-Selle | B Major | 5 | 1B | 118 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM |
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