"Ecce quan bonum (salmo 132)" by Orfeón de Miravalles was released on June 18, 2021. The duration of Ecce quan bonum (salmo 132) is about 3 minutes long, at 3:25. Based on our data, "Ecce quan bonum (salmo 132)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Salmos al Viento, Vol. 2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Spain. Ecce quan bonum (salmo 132) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ecce quan bonum (salmo 132) by Orfeón de Miravalles having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christi crux | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
La mi sola, Laureola… | Maria Bayo, J.A. Alvarez-Parejo | A Major | 0 | 11B | 167 BPM | ||
O Magnum Mysterium | Sexteto Cantábile, Betty Sainz | B♭ Minor | 1 | 3A | 112 BPM | ||
Ave Maria I - Dubbing Version, Arr. for Synthesizer | Eduardo Assad, Armando Valsani | F Major | 2 | 7B | 169 BPM | ||
Mandoline, L. 29 | Dilyana Georgieva, Galina Apostolova | A♭ Major | 0 | 4B | 92 BPM | ||
Cantus Choralis I | Pablo Zerynger | B♭ Minor | 4 | 3A | 106 BPM | ||
O Jesu Christe | Jakob van Berchem, Chœur "Cantabile" de la Cathédrale de Reims, Orchestre de Chambre Arsène Muzerelle, Arsène Muzerelle | G Major | 1 | 9B | 80 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Choral in A Minor, BWV 434 “Wer nur den lieben Gott läßt walten”: Tantum Ergo | Johann Sebastian Bach, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | G Major | 6 | 9B | 128 BPM |
Section: 1.0372419357299805
End: 1.0426836013793945