- BPM
- 76
- Key
- A Major
- Camelot
- 11B
Dam vykvest ruzi (I'll Have Roses Grow): No. 4. Dam vykvest ruzim (I'll Have Roses Grow) - Petr Fiala, Simona Houda-Saturová, Terezie Fialová Information
- Acousticness
- 96%
- Danceability
- 36%
- Energy
- 10%
- Instrumentalness
- 2%
- Liveness
- 13%
- Loudness
- 62%
- Speechiness
- 9%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -23.061 dB
Summary
"Dam vykvest ruzi (I'll Have Roses Grow): No. 4. Dam vykvest ruzim (I'll Have Roses Grow)" by Petr Fiala, Simona Houda-Saturová, Terezie Fialová was released on September 2, 2014. The duration of Dam vykvest ruzi (I'll Have Roses Grow): No. 4. Dam vykvest ruzim (I'll Have Roses Grow) is about 3 minutes long, at 3:01. Based on our data, "Dam vykvest ruzi (I'll Have Roses Grow): No. 4. Dam vykvest ruzim (I'll Have Roses Grow)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 19 in Fiala: De Amicitia by Petr Fiala, Various Artists, Ivan Matyáš, Lukás Vasilek. Dam vykvest ruzi (I'll Have Roses Grow): No. 4. Dam vykvest ruzim (I'll Have Roses Grow) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Dam vykvest ruzi (I'll Have Roses Grow): No. 4. Dam vykvest ruzim (I'll Have Roses Grow) BPM
The tempo marking of Dam vykvest ruzi (I'll Have Roses Grow): No. 4. Dam vykvest ruzim (I'll Have Roses Grow) by Petr Fiala, Simona Houda-Saturová, Terezie Fialová is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Dam vykvest ruzi (I'll Have Roses Grow): No. 4. Dam vykvest ruzim (I'll Have Roses Grow) Key
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rákos Rákoczy, JW I/2: Musicians | Leoš Janáček, Filharmonie Brno, Czech Philharmonic Chorus Brno, Leoš Svárovský, Petr Fiala, Zuzana Lapčíková, Pavla Dittmannová, Petr Julíček, Ondřej Strejček | A♭ Major | 1 | 4B | 133 BPM | |
 | Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | |
| Rákos Rákoczy, JW I/2: Introduction | Leoš Janáček, Filharmonie Brno, Czech Philharmonic Chorus Brno, Leoš Svárovský, Petr Fiala, Zuzana Lapčíková, Pavla Dittmannová, Petr Julíček, Ondřej Strejček | A♭ Major | 1 | 4B | 133 BPM | |
 | Requiem, Op. 89, B. 165: Sanctus (Vocal Quartet, Chorus) | Antonín Dvořák, Simona Saturova, Jana Sykorova, Tomáš Černý, Peter Mikulas, Czech Philharmonic Choir, Brno, Filharmonie Brno, Petr Fiala | E Minor | 3 | 9A | 135 BPM | |
 | Dies irae for Soli, Chorus and Orchestra: No. 16, Lacrimosa dies illa | Antonio Caldara, Czech Philharmonic Chorus Brno, Czech Chamber Soloists, Petr Fiala | D Major | 1 | 10B | 90 BPM | |
 | Chtic aby spal (Sweet Mary Lulls her Babe To Sleep) (arr. P. Fiala for voice, chorus and orchestra) | Petr Fiala, Adam Václav Michna z Otradovic, Martina Jelínková, Czech Philharmonic Choir, Brno, Czech Chamber Soloists, Brno | B♭ Major | 1 | 6B | 80 BPM | |
 | Vesele vanocni hody (Merry Christmas Feast) (arr. M. Jakubicek for chorus and orchestra) | Anonymous , Martin Jakubíček, Czech Philharmonic Choir, Brno, Czech Chamber Soloists, Brno, Petr Fiala | C Major | 3 | 8B | 122 BPM | |
 | Cantata No.30 "Freue dich, erlöste Schar", BWV 30: 5. Aria: Kommt, ihr angefocht'nen Sünder | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | F Minor | 1 | 4A | 72 BPM | |
 | Elias, Op. 70, MWV A25, Part I: No. 1, Overture "Hilf, Herr!" | Felix Mendelssohn, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées | D Major | 3 | 10B | 109 BPM | |
 | Requiem In D Minor, K. 626: Sequence: II. Tuba Mirum | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Vladimir Ruso, Jaroslava Horska, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Wolfgang Amadeus Mozart | F Major | 0 | 7B | 94 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6503119468688965
End: 0.6544721126556396