Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher made "Courante e variatio" available on 2005. The duration of Courante e variatio is about 3 minutes long, at 3:09. Based on our data, "Courante e variatio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "Schmelzer: Sonatae a violino solo". In this album, this song's track order is #21. Furthermore, we believe that the track originated from France. Based on our statistics, Courante e variatio's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Courante e variatio by Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate in D minor: I. Lentement | Anne Danican Philidor, Dorothee Oberlinger | D♭ Minor | 1 | 12A | 52 BPM | ||
Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo | Marco Uccellini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero | G Minor | 2 | 6A | 48 BPM | ||
Trio Sonata in B-Flat Major, BuxWV 255 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Sophie Gent, Mélissande Corriveau | B♭ Major | 1 | 6B | 95 BPM | ||
Galliard | The Royal Wind Music | F♯ Major | 2 | 2B | 139 BPM | ||
Les plaisirs de Versailles, H. 480: Overture | Marc-Antoine Charpentier, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | B♭ Major | 3 | 6B | 127 BPM | ||
Sonata for Violin and Basso Continuo in G Major, GWV 707: I. Andante | Christoph Graupner, Naomi Dumas, Caitlyn Koester | E♭ Minor | 1 | 2A | 109 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Scene 1 | Francesca Caccini, Ferdinando Saracinelli, Ensemble Renaissance | F Major | 1 | 7B | 133 BPM | ||
Israel in Egypt, HWV 54: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: III. Adagio piano | Dietrich Becker, La Rêveuse, Benjamin Perrot, Sébastien Wonner, Florence Bolton | D♭ Major | 1 | 3B | 165 BPM |
Section: 0.7075002193450928
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