"Piano Sonata No. 8, Op. 13, 'Pathetique': II. Adagio Cantabile - Welte-Mignon 561" by Ludwig van Beethoven, Peter Phillips, Frederic Lamond was released on February 3, 2024. With this song being about 5 minutes long, at 5:18, "Piano Sonata No. 8, Op. 13, 'Pathetique': II. Adagio Cantabile - Welte-Mignon 561" by Ludwig van Beethoven, Peter Phillips, Frederic Lamond is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in Éclats. Piano Music from the Golden Age, so we believe that "Piano Sonata No. 8, Op. 13, 'Pathetique': II. Adagio Cantabile - Welte-Mignon 561" is a single. Piano Sonata No. 8, Op. 13, 'Pathetique': II. Adagio Cantabile - Welte-Mignon 561 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Sonata No. 8, Op. 13, 'Pathetique': II. Adagio Cantabile - Welte-Mignon 561 by Ludwig van Beethoven, Peter Phillips, Frederic Lamond is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: 12 Contredanses, WoO 14: No. 6 in C Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 3 | 8B | 125 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Violin Concerto In D, Op. 61: 2. Larghetto - | Ludwig van Beethoven, Vadim Repin, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 74 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM |
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