J. Mikel, Swedish Radio Symphony Orchestra, Michael Schønwandt made "Les Lanciers: IV. 4. tur" available on July 1, 2007. The duration of Les Lanciers: IV. 4. tur is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Les Lanciers: IV. 4. tur's duration is considered a little bit shorter than the average duration of a typical track. The song is number 21 out of 23 in Der Er Et Yndigt Land by Michael Schønwandt. Based on our statistics, Les Lanciers: IV. 4. tur's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Les Lanciers: IV. 4. tur by J. Mikel, Swedish Radio Symphony Orchestra, Michael Schønwandt is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Förklädd gud, Op. 24: Prelude | Mark Levengood, Charlotta Larsson, Gunnar Birgersson, Enskede Kammarkor, Swedish Radio Symphony Orchestra, Eva Karpe | F Major | 1 | 7B | 72 BPM | ||
Auf und davon!, OP. 73 | Eduard Strauss, Wiener Johann Strauss Orchester, Franz Bauer-Theussl | E♭ Major | 5 | 5B | 149 BPM | ||
Knall und Fall, Polka-schnell, Op. 132 | Vienna Walzer Orchestra, Sandro Cuturello | G Major | 5 | 9B | 89 BPM | ||
Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: VI. Premier et deuxième air des Matelots. Gravement-Pesamment-Vivement | Jean-Philippe Rameau, Swedish Radio Symphony Orchestra, Daniel Harding | D Minor | 1 | 7A | 118 BPM | ||
Gayane: Sabre Dance - Redbook Stereo | Aram Khachaturian, Arthur Fiedler | C Major | 6 | 8B | 90 BPM | ||
Raymonda, Act III: Variation 2 for four dancers | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 129 BPM | ||
Oedipus Rex - Opera-Oratorio in 2 Acts: Act I: "Respondit deus" | Igor Stravinsky, Simon Estes, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | C Major | 1 | 8B | 128 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
Kanon Galop (1853) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 4 | 12B | 150 BPM | ||
Puccini: Tosca, Act 1 Scene 3: "Recondita armonia" (Cavaradossi) | Giacomo Puccini, Jussi Björling, Nils Grevillius, Swedish Radio Symphony Orchestra | F Major | 2 | 7B | 93 BPM |
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