Johann Sebastian Bach, Mstislav Rostropovich made "Bach, JS: Cello Suite No. 3 in C Major, BWV 1009: II. Allemande" available on January 1, 1995. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 30 out of 42 in Bach: Cello Suite Nos. 1 - 6, BWV 1007 - 1012 by Sergei Rachmaninoff, Johann Sebastian Bach, Pieter Wispelwey, Mischa Maisky, Pavel Gililov, Marko Ylönen, Johann Sebastian Bach, Quirine Viersen, Benjamin Britten, Denise Djokic, Johann Sebastian Bach, Mstislav Rostropovich. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, JS: Cello Suite No. 3 in C Major, BWV 1009: II. Allemande is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bach, JS: Cello Suite No. 3 in C Major, BWV 1009: II. Allemande by Johann Sebastian Bach, Mstislav Rostropovich is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in C Major, G. 573: II. Largo cantabile | Luigi Boccherini, Raphael Wallfisch, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 2 | 6B | 117 BPM | ||
Sinfonia a otto, ZWV 189: II. Andante | Jan Dismas Zelenka, Dresdner Kapellsolisten, Helmut Branny | F Major | 2 | 7B | 45 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Minuet in G Major, BWV Anh. 114 (Notebook for Anna Magdalena Bach, 1725) | Christian Petzold, Daniil Trifonov | G Minor | 2 | 6A | 117 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM | ||
Haydn, Michael / Arr Stoll : Polonaise in C major | Michael Haydn, Jörg Baumann | C Major | 0 | 8B | 107 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Bach, JS: Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue | Johann Sebastian Bach, Mstislav Rostropovich | A♭ Major | 1 | 4B | 58 BPM | ||
Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande | Johann Sebastian Bach, Mstislav Rostropovich | G Minor | 0 | 6A | 77 BPM |
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