William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny's 'Henry V (adapted by Christopher Palmer): III. Embarkation' came out on April 27, 1998. The duration of Henry V (adapted by Christopher Palmer): III. Embarkation is about 3 minutes long, at 3:19. Based on our data, "Henry V (adapted by Christopher Palmer): III. Embarkation" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Walton: Henry V by William Walton, Andrew Penny. The song's track number on the album is #3 out of 9 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Henry V (adapted by Christopher Palmer): III. Embarkation's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Henry V (adapted by Christopher Palmer): III. Embarkation by William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Henry V (adapted by Christopher Palmer): III. Embarkation being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Five English Nursery Tunes: IV. Curly Locks | Hubert Clifford, Martyn Brabbins, BBC Philharmonic | B♭ Major | 0 | 6B | 74 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Enigma | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Major | 5 | 8B | 132 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | C Major | 0 | 8B | 71 BPM | ||
Touch Her Soft Lips and Part | William Walton, Amy Dickson, London Session Orchestra | F Major | 1 | 7B | 71 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM |
Section: 0.837529182434082
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