Amilcare Ponchielli, Pier Miranda Ferraro, Piero Cappuccilli, Orchestra del Teatro alla Scala di Milano, Antonino Votto, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro, Piero Cappuccilli's 'Ponchielli: La Gioconda, Act 1: "Enzo Grimaldo, Principe di Santafior, che pensi?" (Enzo, Barnaba)' came out on 1960. The duration of Ponchielli: La Gioconda, Act 1: "Enzo Grimaldo, Principe di Santafior, che pensi?" (Enzo, Barnaba) is about 3 minutes long, at 3:06. Based on our data, "Ponchielli: La Gioconda, Act 1: "Enzo Grimaldo, Principe di Santafior, che pensi?" (Enzo, Barnaba)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 51 in the song's album "Ponchielli: La Gioconda (1959 - Votto) - Callas Remastered". In this album, this song's track order is #10. Ponchielli: La Gioconda, Act 1: "Enzo Grimaldo, Principe di Santafior, che pensi?" (Enzo, Barnaba) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ponchielli: La Gioconda, Act 1: "Enzo Grimaldo, Principe di Santafior, che pensi?" (Enzo, Barnaba) by Amilcare Ponchielli, Pier Miranda Ferraro, Piero Cappuccilli, Orchestra del Teatro alla Scala di Milano, Antonino Votto, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro, Piero Cappuccilli having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM |
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