"Quinconq' l'amour noma l'amour (Le Printemps XXV)" by Claude Le Jeune, Ensemble Gilles Binchois, Dominique Vellard was released on April 24, 2020. With Quinconq' l'amour noma l'amour (Le Printemps XXV) being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 14 in Claude Le Jeune: Le Printemps by Claude Le Jeune, Ensemble Gilles Binchois, Dominique Vellard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Quinconq' l'amour noma l'amour (Le Printemps XXV) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quinconq' l'amour noma l'amour (Le Printemps XXV) by Claude Le Jeune, Ensemble Gilles Binchois, Dominique Vellard is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The silver swan | Orlando Gibbons, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
Crucifixus | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Acis et Galatée, LWV 73: Passacaille | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Qu'est devenu ce bel oeil | Claude Le Jeune, Le Poème Harmonique, Vincent Dumestre | G Minor | 1 | 6A | 115 BPM | ||
Miserere: XI. Tunc acceptabis sacrificium justitiae ; Tunc inponent - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 110 BPM |
Section: 0.6564512252807617
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