Jenő Jandó, Robert Schumann made "Kinderszenen (Scenes Of Childhood), Op. 15 : II. Curiose Geschichte (A Strange Story)" available on December 18, 1995. With Kinderszenen (Scenes Of Childhood), Op. 15 : II. Curiose Geschichte (A Strange Story) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 28 in the song's album "Schumann, R.: Fantasiestucke, Op. 12 / Brahms: Klavierstucke, Op. 118". In this album, this song's track order is #3. Based on our statistics, Kinderszenen (Scenes Of Childhood), Op. 15 : II. Curiose Geschichte (A Strange Story)'s popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Kinderszenen (Scenes Of Childhood), Op. 15 : II. Curiose Geschichte (A Strange Story) by Jenő Jandó, Robert Schumann having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
3 Romanzen, Op. 94: Einfach, innig | Robert Schumann, Jozsef Kiss, Jenő Jandó | A Major | 1 | 11B | 87 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: XXII. Prelude and Fugue in B-Flat Minor, BWV 867 | Johann Sebastian Bach, Jenő Jandó | B♭ Minor | 1 | 3A | 90 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó | B♭ Major | 0 | 6B | 78 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Feuilles d'Album in A-Flat Major, S165/R62 | Franz Liszt, Jenő Jandó | A♭ Major | 1 | 4B | 116 BPM |
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