Kapitel 4 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag
David Allen, Jürgen Kalwa
Ich schaff das! (Ungekürzt)
3:02 2011
BPM
110
Key
B Minor
Camelot
10A

Embed

Share Link

Kapitel 4 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag - David Allen, Jürgen Kalwa Information

Acousticness
34%
Danceability
71%
Energy
27%
Instrumentalness
0%
Liveness
12%
Loudness
62%
Speechiness
86%
Valence
67%
Popularity
Loudness
-22.652 dB

Summary

David Allen, Jürgen Kalwa made "Kapitel 4 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" available on 2011. The duration of Kapitel 4 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is about 3 minutes long, at 3:02. Based on our data, "Kapitel 4 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in David Allen's "Ich schaff das! (Ungekürzt)" album is number 4 out of 194. In terms of popularity, Kapitel 4 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Kapitel 4 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag BPM

We consider the tempo marking of Kapitel 4 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag by David Allen, Jürgen Kalwa to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.

Kapitel 4 - Ich schaff das! - Selbstmanagement für den beruflichen und privaten Alltag Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Donizetti: Lucia di Lammermoor, Act 1: Donizetti: Lucia di Lammermoor, Act 1: "La pietade in suo favore" (Enrico, Raimondo, Chorus)Gaetano Donizetti, Jesús López-Cobos, Münchener OpernorchesterG Major49B191 BPM
La Boheme, vierter Akt: Sono andati fingevo di dormire by Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-PradelliLa Boheme, vierter Akt: Sono andati fingevo di dormireCoro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-PradelliF♯ Minor511A62 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar LorengarIphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunéeChristoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar LorengarG Major19B86 BPM
Te Deum, WAB 45: III. Aeterna fac by Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio ChorusTe Deum, WAB 45: III. Aeterna facAnton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio ChorusD Minor27A123 BPM
La Bohème: O Mimì tu più non torni. by Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Luciano Pavarotti, Vito MattioliLa Bohème: O Mimì tu più non torni.Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Luciano Pavarotti, Vito MattioliE♭ Major25B116 BPM
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! by Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo ArrivabeniCarmen, WD 31 / Act 4: C'est toi, c'est-moi!Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo ArrivabeniE Major312B125 BPM
Bellini: Norma, Act 2: Bellini: Norma, Act 2: "Cedi! Deh! Cedi!" - "Sì, fino all'ore estreme" (Adalgisa, Norma)Vincenzo Bellini, Maria Callas, Christa Ludwig, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinC Major08B71 BPM
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Quel silence effrayant !" (Pylade, Oreste)Christoph Willibald Gluck, Georges Prêtre, Ernest Blanc, Nicolai Gedda, Orchestre De La Société Des Concerts Du ConservatoireG Major29B67 BPM
Mozart: Alma grande e nobil core, K. 578 by Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen OrtonMozart: Alma grande e nobil core, K. 578Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen OrtonB♭ Major16B89 BPM
Donizetti: Lucia di Lammermoor, Act 2: Donizetti: Lucia di Lammermoor, Act 2: "Il pallor funesto, orrendo" (Enrico, Lucia)Gaetano Donizetti, Maria Callas, Tito Gobbi, Tullio Serafin, Orchestra del Maggio Musicale FiorentinoG Major29B81 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.1641836166381836

End: 1.1703722476959229