"Siegfried / Erster Aufzug: "Vieles lehrtest du, Mime"" by Richard Wagner, Wolfgang Windgassen, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Since Siegfried / Erster Aufzug: "Vieles lehrtest du, Mime" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Siegfried / Erster Aufzug: "Vieles lehrtest du, Mime" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Siegfried / Erster Aufzug: "Vieles lehrtest du, Mime" by Richard Wagner, Wolfgang Windgassen, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIV. Komm! Komm! | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Juliane Banse, London Symphony Chorus | B♭ Minor | 0 | 3A | 79 BPM | ||
Salome, Op. 54 / Scene 2: "Jauchze nicht, du Land Palästina" | Richard Strauss, Cheryl Studer, Marianne Rorholm, Bryn Terfel, Clemens Bieber, Bengt Rundgren, William Murray, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A♭ Major | 3 | 4B | 128 BPM | ||
Die Walküre, WWV 86B / Erster Akt: "Wes Herd dies auch sei, hier muss ich rasten" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 88 BPM | ||
Waldmeister: Ouvertüre | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | ||
Die Fledermaus / Act 3: Nr.13 Melodram: "So, da wär'n wir ja zu Hause" | Johann Strauss II, Benno Kusche, Bavarian State Orchestra, Carlos Kleiber | C Major | 0 | 8B | 95 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Sir Simon Rattle, Wiener Philharmoniker | C Major | 0 | 8B | 113 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: IV. Allegro molto | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | D Major | 2 | 10B | 78 BPM | ||
Ein Heldenleben, Op. 40, TrV. 190: I. Der Held | Richard Strauss, Rainer Honeck, Wiener Philharmoniker, Christian Thielemann | G Major | 1 | 9B | 85 BPM | ||
Die Fledermaus / Act 1: Dialog: Die arme Tante | Johann Strauss II, Julia Varady, René Kollo | G Major | 1 | 9B | 110 BPM | ||
Die Fledermaus / Act 3: Dialog: Täubchen, das entflattert ist | Johann Strauss II, René Kollo, Franz Muxeneder | G Major | 0 | 9B | 100 BPM |
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