"The Queen of Spades, Op. 68, Act II Scene 3 Interlude "The Faithful Shepherdess": No. 14a, Сhorus of Shepherds and Shepherdess "Pod teniyu gustoyu"" by Владимир Гришко, Alexander Yurlov Russian State Academic Choir, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks was released on November 16, 2018. The duration of The Queen of Spades, Op. 68, Act II Scene 3 Interlude "The Faithful Shepherdess": No. 14a, Сhorus of Shepherds and Shepherdess "Pod teniyu gustoyu" is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. The Queen of Spades, Op. 68, Act II Scene 3 Interlude "The Faithful Shepherdess": No. 14a, Сhorus of Shepherds and Shepherdess "Pod teniyu gustoyu"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Tchaikovsky: The Queen of Spades, Op. 68 (Live)". In this album, this song's track order is #5. The Queen of Spades, Op. 68, Act II Scene 3 Interlude "The Faithful Shepherdess": No. 14a, Сhorus of Shepherds and Shepherdess "Pod teniyu gustoyu" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Queen of Spades, Op. 68, Act II Scene 3 Interlude "The Faithful Shepherdess": No. 14a, Сhorus of Shepherds and Shepherdess "Pod teniyu gustoyu" by Владимир Гришко, Alexander Yurlov Russian State Academic Choir, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hänsel und Gretel: Der Hexenritt (Ausschnitt) | Marko Simsa | F Major | 2 | 7B | 74 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Adriana Lecouvreur / Act 2: Acerba voluttà, dolve tortura | Francesco Cilea, Giulietta Simionato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | F Major | 3 | 7B | 91 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Ernani: 'Si ridenste il Leon di Castiglia' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Hoffmanns Erzählungen - Oper in drei Akten, einem Vor- und einem Nachspiel (Gesamtaufnahme in deutscher Sprache), Vorspiel: Nr. 1 Chor: Aus dem Keller kommt hervor | Jacques Offenbach, Jules Barbier, Michel Carre, Pierre Barbier, Chor des Bayerischen Rundfunks/Münchner Rundfunkorchester/Heinz Wallberg, Heinz Wallberg, Muenchner Rundfunkorchester, Munich Radio Orchestra | F Major | 2 | 7B | 167 BPM | ||
Gounod : Faust : Act 1 "Me Voici!" [Faust, Méphistophélès] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | B Major | 1 | 1B | 106 BPM | ||
Puts: The Hours, Act 2: "Louis? - Clarissa. Caught Me Smoking" (Clarissa, Louis, Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Metropolitan Opera Chorus, Renée Fleming, William Burden, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Messa di Gloria: VII. Qui tollis peccata | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | F Major | 1 | 7B | 116 BPM |
Section: 0.7431528568267822
End: 0.7466461658477783