"Adriana Lecouvreur / Act 2: Acerba voluttà, dolve tortura" by Francesco Cilea, Giulietta Simionato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana was released on January 1, 1962. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 35 in Cilea: Adriana Lecouvreur by Francesco Cilea, Renata Tebaldi, Mario del Monaco, Giulietta Simionato, Giulio Fioravanti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana. In terms of popularity, Adriana Lecouvreur / Act 2: Acerba voluttà, dolve tortura is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adriana Lecouvreur / Act 2: Acerba voluttà, dolve tortura by Francesco Cilea, Giulietta Simionato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Troyens, H 133 / Act V: "Ah! Ah! Je vais mourir ... Adieu, fière cité" | Hector Berlioz, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 80 BPM | ||
Don Giovanni / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | F Major | 6 | 7B | 118 BPM | ||
Adriana Lecouvreur: Act Ii L'anima Ho Stanca | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | B Minor | 4 | 10A | 101 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Bizet: Carmen, WD 31, Act 2 Scene 5: No. 17b, Cantabile, "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 87 BPM | ||
La fille du régiment / Act 1: Le camarade est amoureux! | Gaetano Donizetti, Eric Garrett, Luciano Pavarotti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Mazurka, Op. 14 | Francesco Cilea, Pier Paolo Vincenzi | F Major | 1 | 7B | 89 BPM | ||
Strauss, R: 8 Lieder, Op. 49: I. Waldseligkeit | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | D♭ Major | 0 | 3B | 81 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
A Child of our Time, Part II: A Spiritual. O! by and by (Soprano, Chorus) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | N/A | N/A | N/A | 0 BPM |
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