On January 1, 2007, the song "Suite in C major (Paris, 1702-3): Menuet 1" was released by Davitt Moroney. With Suite in C major (Paris, 1702-3): Menuet 1 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Davitt Moroney's "Le Clavecin Français: Louis Marchand & Louis-Nicolas Clérambault" album is number 29 out of 36. In terms of popularity, Suite in C major (Paris, 1702-3): Menuet 1 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite in C major (Paris, 1702-3): Menuet 1 by Davitt Moroney to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor | Johann Caspar Ferdinand Fischer, Andreas Staier | C Minor | 2 | 5A | 124 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: III. Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Sonata in C Major, Op. 5, No. 10 (arr. W. Babell and M. Blavet): III. Sarabanda: Largo (arr. W. Babell) | William Babell, Michel Blavet, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 1 | 2A | 49 BPM | ||
Baryton Trio in G Major, Hob. XI:67: III. Finale. Allegro di molto | Joseph Haydn, Valencia Baryton Project | F♯ Major | 2 | 2B | 143 BPM | ||
Callino Casturame, BK 35 | William Byrd, Davitt Moroney | A Major | 7 | 11B | 89 BPM | ||
Symphony in E-Flat Major, Op. 3 No. 4, WolS Eb3: II. Andante | Johann Stamitz, Musica Viva, Alexander Rudin | B Minor | 0 | 10A | 81 BPM | ||
Oh Solitude, Z. 406 | Henry Purcell, Jill Feldman, Davitt Moroney | F♯ Major | 0 | 2B | 81 BPM | ||
Concert Royal No. 2 in D: IV. Air contrefugué. Vivement (Version for 2 Harpsichords and Theorbo) | François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut Roussel | E♭ Major | 4 | 5B | 125 BPM |
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