"Schubert: Schwanengesang, D. 957: No. 4 Ständchen" by Franz Schubert, Camille Berthollet, Guillaume Vincent was released on October 28, 2016. With this song being about 5 minutes long, at 4:36, "Schubert: Schwanengesang, D. 957: No. 4 Ständchen" by Franz Schubert, Camille Berthollet, Guillaume Vincent is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 17 in Camille & Julie Berthollet by Camille Berthollet, Julie Berthollet. In terms of popularity, Schubert: Schwanengesang, D. 957: No. 4 Ständchen is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schubert: Schwanengesang, D. 957: No. 4 Ständchen by Franz Schubert, Camille Berthollet, Guillaume Vincent is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiegenlied (Lullaby), Op. 98, No. 2, D. 498 (arr. for violin and piano) | Anonymous, Franz Schubert, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 81 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Arr. for Trumpet & Orchestra) | Jacques Offenbach, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | D Major | 1 | 10B | 84 BPM | ||
Sonata No. 55 in A Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | A Minor | 0 | 8A | 80 BPM | ||
King Arthur, Z. 628: Cold song - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | D♭ Major | 1 | 3B | 88 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM | ||
Silvestri: Forrest Gump Suite | Alan Silvestri, Camille Berthollet, Julie Berthollet, Guillaume Vincent, Mathieu Herzog | A Minor | 1 | 8A | 177 BPM | ||
Albinoni, Giazotto / Orch. Ducros: Adagio in G Minor | Remo Giazotto, Tomaso Albinoni, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | C Minor | 1 | 5A | 81 BPM |
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