Felix Mendelssohn, Claudio Abbado, Berliner Philharmoniker's 'Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: Elfenmarsch - Allegro vivace - "Schlimm treffen wir bei Mondenlicht"' came out on 1996. The duration of Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: Elfenmarsch - Allegro vivace - "Schlimm treffen wir bei Mondenlicht" is about 3 minutes long, at 3:12. Based on our data, "Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: Elfenmarsch - Allegro vivace - "Schlimm treffen wir bei Mondenlicht"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Claudio Abbado's "Mendelssohn: Ein Sommernachtstraum, Op. 21 & 61" album is number 4 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: Elfenmarsch - Allegro vivace - "Schlimm treffen wir bei Mondenlicht" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: Elfenmarsch - Allegro vivace - "Schlimm treffen wir bei Mondenlicht" by Felix Mendelssohn, Claudio Abbado, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Bergamasque, L. 75, CD 82: Suite bergamasque, L. 75, CD 82: IV. Passepied | Claude Debussy, Jean-Efflam Bavouzet | C Minor | 0 | 5A | 109 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Nocturne No. 5 in B-Flat Major | John Field, Benjamin Frith | B♭ Major | 0 | 6B | 73 BPM | ||
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy of Man’s Desiring (Transcr. Hess for Piano) | Johann Sebastian Bach, Daniil Trifonov | G Major | 0 | 9B | 82 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM |
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