Erik Chisholm, Matthew Trusler, Martyn Brabbins, BBC Scottish Symphony Orchestra's 'Violin Concerto: IV. Finale. Fuga senza tema' came out on September 1, 2017. With this song being about 5 minutes long, at 5:28, "Violin Concerto: IV. Finale. Fuga senza tema" by Erik Chisholm, Matthew Trusler, Martyn Brabbins, BBC Scottish Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 11 in Erik Chisholm: Violin Concerto & Dance Suite by Erik Chisholm, BBC Scottish Symphony Orchestra, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Violin Concerto: IV. Finale. Fuga senza tema is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto: IV. Finale. Fuga senza tema by Erik Chisholm, Matthew Trusler, Martyn Brabbins, BBC Scottish Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From the True Edge of the Great World: Prelude 1. Ossianic Lay | Erik Chisholm, Martyn Brabbins, BBC Scottish Symphony Orchestra | D Major | 3 | 10B | 114 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
New Life Piano Sonata, Op. 99: II. Pesante | Fazıl Say | B♭ Major | 1 | 6B | 87 BPM | ||
Piano Concerto in G: First Movement | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
Lim Fantasy of Companionship for Piano and Orchestra, Act 4: Transition to New World Order | Manu Martin, Tedd Joselson, Arthur Fagen, London Symphony Orchestra | E♭ Major | 1 | 5B | 115 BPM | ||
Chôro No. 2, W198 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Po zarostlém chodníčku - Series I: IV. Frýdecká panna Maria | Leoš Janáček, Gianluigi Daniele | D♭ Minor | 1 | 12A | 129 BPM | ||
Piano Quintet in F Minor, Op. 34: III. Scherzo. Allegro | Johannes Brahms, Paul Gulda, Hagen Quartett | E♭ Major | 0 | 5B | 90 BPM | ||
Carnaval, Op. 9: No. 5, Eusebius | Robert Schumann, David Hyun-su Kim | A♭ Major | 3 | 4B | 139 BPM | ||
Glosas sobre el Mariam Matrem | Jesús Legido, Diego Fernández Magdaleno | A Minor | 0 | 8A | 209 BPM |
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