Erik Chisholm, Martyn Brabbins, BBC Scottish Symphony Orchestra's 'From the True Edge of the Great World: Prelude 1. Ossianic Lay' came out on September 1, 2017. With this song being about 5 minutes long, at 4:31, "From the True Edge of the Great World: Prelude 1. Ossianic Lay" by Erik Chisholm, Martyn Brabbins, BBC Scottish Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 11 in Erik Chisholm: Violin Concerto & Dance Suite by Erik Chisholm, BBC Scottish Symphony Orchestra, Martyn Brabbins. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, From the True Edge of the Great World: Prelude 1. Ossianic Lay is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of From the True Edge of the Great World: Prelude 1. Ossianic Lay by Erik Chisholm, Martyn Brabbins, BBC Scottish Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Frosoblomster (Froso-Flowers), Book 2: No. 1. Solhesning (Salute to the Sun) | Wilhelm Peterson-Berger, Niklas Sivelov | C Major | 1 | 8B | 108 BPM | ||
Variations for Piano, Op. 48: Var. 4. Tempo primo | Xaver Scharwenka, Seta Tanyel | D Minor | 0 | 7A | 121 BPM | ||
Bliss: Cello Concerto: II. Larghetto | Arthur Bliss, Arto Noras, Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 95 BPM | ||
Ondulando, estudio, Op. 31, W082 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Oboe Sonata, FP 185: II. Scherzo | Francis Poulenc, Alex Klein, Phillip Bush | D Major | 0 | 10B | 82 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variations 14 - 15 | Sergei Rachmaninoff, Park Eun Shik | B Major | 0 | 1B | 88 BPM | ||
Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM | ||
Étude No. 13 "The Devil's Staircase" | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM | ||
Piano Quintet in F Minor, Op. 34: III. Scherzo. Allegro | Johannes Brahms, Paul Gulda, Hagen Quartett | E♭ Major | 0 | 5B | 90 BPM | ||
Piano Sonata No. 1: III. Adagio molto appasionata | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM |
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