"Recollections of Paganini, WoO 8, S190: I. Caprice" by Johann Nepomuk Hummel, Madoka Inui was released on October 13, 2005. The duration of Recollections of Paganini, WoO 8, S190: I. Caprice is about 3 minutes long, at 3:20. Based on our data, "Recollections of Paganini, WoO 8, S190: I. Caprice" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Nepomuk Hummel's "Hummel: Fantasies (Complete)" album is number 12 out of 16. In terms of popularity, Recollections of Paganini, WoO 8, S190: I. Caprice is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Recollections of Paganini, WoO 8, S190: I. Caprice by Johann Nepomuk Hummel, Madoka Inui to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
E l'uccellino | Giacomo Puccini, Tine Thing Helseth, Kathryn Stott | A Major | 0 | 11B | 110 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Adagio, Variations and Rondo on an English Song "The Pretty Polly", in E-Flat Major, Op. 75: X | Johann Nepomuk Hummel, Joanna Trzeciak | E♭ Minor | 0 | 2A | 83 BPM | ||
Masques et Bergamasques Suite, Op. 112: I. Ouverture | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F Major | 1 | 7B | 135 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 1 in C Major, "Die 4 Weltalter" (the 4 Ages of the World): I. Larghetto | Carl Ditters von Dittersdorf, Failoni Kamarazenekar, Hanspeter Gmür | C Major | 1 | 8B | 87 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Piano Quintet in A Major, D. 667, Op. 114 "Trout": V. Allegro giusto | Franz Schubert, L'Archibudelli | A Major | 1 | 11B | 82 BPM | ||
Der Fischer und das Milchmädchen: V. Corps de ballet | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Rondo À La Krakowiak In F Major, Op. 14: Introduzione. Andantino quasi Allegretto - Allegro molto | Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | F Major | 0 | 7B | 82 BPM |
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