"In stiller Nacht" by Hans Ludwig Schilling, cantus et musica Freiburg, Raimund Hug was released on June 28, 2013. The duration of In stiller Nacht is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. In stiller Nacht's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in cantus et musica Freiburg, Raimund Hug's "Heiller, Kubizek, Orbán, Schilling, Nystedt, Brunner, Wiggins, Zehm, Marx, Lengerich, Kropfreiter & Planyavsky: Resurrexi - Neue Chormusik zur Fasten- und Osterzeit" album is number 6 out of 22. On top of that, Germany appears to be the country where this track was created. In stiller Nacht is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In stiller Nacht by Hans Ludwig Schilling, cantus et musica Freiburg, Raimund Hug to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Lirica für Violoncello und Orgel: III. Recitando | Hans Ludwig Schilling, Thomas Blees, Wolfgang Stockmeier | E Minor | 0 | 9A | 174 BPM | ||
Laudate Pueri: II. A solis ortu | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Canzona über "Christ ist erstanden": Ruhige Halbe - quasi Ricercar | Hans Ludwig Schilling, Bernhard Kratzer, Martin Sander | A♭ Minor | 3 | 1A | 101 BPM | ||
Keyboard Concerto No. 2 in G Major: II. Grave | Johann Adolf Hasse, Janos Sebestyen | E Minor | 1 | 9A | 73 BPM | ||
Toccata In G | Dietrich Buxtehude, Bjørn Andor Drage | G Major | 1 | 9B | 67 BPM | ||
Partita Hos Gud er idel glede, Op. 44: III. Var 2 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
When I Survey the Wondrous Cross | Andrey Jackson | D Major | 0 | 10B | 137 BPM | ||
Lobt Gott, ihr Christen, allzugleich, BuxWV 202 | Dietrich Buxtehude, Friedhelm Flamme | A♭ Minor | 0 | 1A | 70 BPM | ||
Schauet doch und sehet, BWV 46: No. 5, Doch Jesus will auch bei der Strafe | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart, Elvira Bill | B Major | 1 | 1B | 94 BPM | ||
Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM |
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