Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé's 'Troisième Leçon du Vendredy: VIII. In animabus nostris' came out on March 9, 2015. With Troisième Leçon du Vendredy: VIII. In animabus nostris being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé, Sophie Karthäuser's "Lalande: Leçons de Ténèbres" album is number 40 out of 44. Based on our statistics, Troisième Leçon du Vendredy: VIII. In animabus nostris's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Troisième Leçon du Vendredy: VIII. In animabus nostris by Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Céphale et Procris, Prologue: Chœur. Chantons, chantons sa valeur immortelle | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur | F Minor | 1 | 4A | 75 BPM | ||
Concerto grosso No. 10 in F Major: V. Giga | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | E Major | 3 | 12B | 137 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Te Deum, S. 32: II. Te Deum laudamus | Michel Richard Delalande, Jean-Paul Fouchécourt, Les Arts Florissants, William Christie | D♭ Major | 2 | 3B | 85 BPM | ||
Polonaise in F Major, BWV Anh. 117 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Te Deum: IX. Per singulos dies | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Actéon, H. 481, Scene I: Allons, marchons, courons | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 4 | 3B | 152 BPM | ||
Vivaldi: Giustino, RV 717, Act 1 Scene 1: No. 1a, Aria, "Viva Augusto eterno impero" (Arianna, Chorus) | Antonio Vivaldi, Marina Comparato, Dominique Labelle, Francesca Provvisionato, Geraldine McGreevy, Leonardo de Lisi, Laura Cherici, Il Complesso Barocco, Alan Curtis | C Major | 1 | 8B | 90 BPM | ||
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM |
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