"Prokofiev: Romeo and Juliet, Op. 64, Act 1: Dance of the Knights - Narrative suite from the complete ballet" by Sergei Prokofiev, Toronto Symphony Orchestra, Jukka-Pekka Saraste had its release date on September 27, 1997. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Romeo and Juliet, Op. 64". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Finland. Based on our statistics, Prokofiev: Romeo and Juliet, Op. 64, Act 1: Dance of the Knights - Narrative suite from the complete ballet's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Romeo and Juliet, Op. 64, Act 1: Dance of the Knights - Narrative suite from the complete ballet by Sergei Prokofiev, Toronto Symphony Orchestra, Jukka-Pekka Saraste having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (Without Narration): Peter in the meadow | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 115 BPM | ||
Suite Espanole: Asturias | Pascqal Albeniz, Fruehbeck de Burgos, Filharmonie Brno | G Minor | 2 | 6A | 115 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Carnival of the Animals, R. 125: VII. The Aquarium | Camille Saint-Saëns, Marylene Dosse, Annie Petit, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | A Minor | 0 | 8A | 68 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | C Major | 7 | 8B | 89 BPM | ||
Sympnony No.9 in E minor, Op.95 'From the New World': Largo | Antonín Dvořák, Prague Symphony Orchestra;Libor Pesek | D♭ Major | 0 | 3B | 131 BPM | ||
6 Hungarian Rhapsodies, S. 359/R. 441: No. 2 in D Minor | Franz Liszt, Budapest Symphony Orchestra, Andras Korodi | C Major | 1 | 8B | 89 BPM | ||
Cinderella, Op. 87, Act II: Waltz-Coda (arr. M. Rostropovich) | Mstislav Rostropovich, Sergei Prokofiev, Lynn Harrell, Pavel Gililov | G Major | 3 | 9B | 80 BPM |