"Lohengrin: Act II Scene 2: Du Armste kannst wohl nie ermessen (Elsa)" by Richard Wagner, Lauritz Melchior, Helen Traubel, Margaret Harshaw, Osie Hawkins, Deszo Ernster, Hugh Thompson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Busch was released on March 1, 2015. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Lohengrin by Richard Wagner, Fritz Busch. The song's track number on the album is #9 out of 50 tracks. Based on our data, United States was the country where this track was produced or recorded. Lohengrin: Act II Scene 2: Du Armste kannst wohl nie ermessen (Elsa) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin: Act II Scene 2: Du Armste kannst wohl nie ermessen (Elsa) by Richard Wagner, Lauritz Melchior, Helen Traubel, Margaret Harshaw, Osie Hawkins, Deszo Ernster, Hugh Thompson, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Fritz Busch has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lohengrin: Act II Scene 2: Du Armste kannst wohl nie ermessen (Elsa) being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 1, Scherzo | Felix Mendelssohn, London Symphony Orchestra, Alexander Knox, John Eliot Gardiner | G Minor | 1 | 6A | 134 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Das Lied von der Erde: Das Trinklied vom Jammer der Erde | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 2 | 6A | 78 BPM | ||
Polovetsian Dances from Prince Igor: Allegro vivo | Alexander Borodin, George Szell, Cleveland Orchestra | F Major | 3 | 7B | 81 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Einleitung | Richard Strauss, Wiener Philharmoniker, Lorin Maazel | D Minor | 0 | 7A | 106 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM |
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