"Stabat Mater: Pro peccatis suae gentis" by Agostino Steffani, The Sixteen, Harry Christophers had its release date on September 28, 2009. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The Sixteen, Harry Christophers's "Handel: Dixit Dominus - Steffani: Stabat Mater" album is number 4 out of 21. Stabat Mater: Pro peccatis suae gentis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stabat Mater: Pro peccatis suae gentis by Agostino Steffani, The Sixteen, Harry Christophers to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater RV 621: VIII. Facut | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | F Minor | 1 | 4A | 99 BPM | ||
Magnificat in D Major, BWV 243: Et misericordia eius | Johann Sebastian Bach, Gérard Lesne, Howard Crook, Philippe Herreweghe, La Chapelle Royale | E♭ Minor | 0 | 2A | 107 BPM | ||
Dixit Dominus: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes | Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel | C Minor | 0 | 5A | 116 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Alarico il Baltha, cioè L'audace re de' Gothi: "Schiere invitte, non tardate" | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 7 | 1B | 123 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: II. Hail! Bright Cecilia | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM |