"God Is With Us" by John Tavener, Choir of Clare College, Cambridge, Graham Ross, Nicolas Haigh, Nicholas Mogg was released on October 28, 2013. With this song being about 5 minutes long, at 5:12, "God Is With Us" by John Tavener, Choir of Clare College, Cambridge, Graham Ross, Nicolas Haigh, Nicholas Mogg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Veni Emmanuel: Music for Advent by Choir of Clare College, Cambridge, Graham Ross, Nicolas Haigh. The song's track number on the album is #19 out of 23 tracks. Based on our statistics, God Is With Us's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since God Is With Us by John Tavener, Choir of Clare College, Cambridge, Graham Ross, Nicolas Haigh, Nicholas Mogg has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With God Is With Us being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiphon, O quam mirabilis est | Hildegard von Bingen, Anonymous 4 | A Major | 0 | 11B | 83 BPM | ||
Ave Maria, WAB 6 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 65 BPM | ||
Morgengesang | Sjaella | F♯ Major | 1 | 2B | 75 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
Gottes Zeit ist die allerbeste Zeit, BWV 106 | Johann Sebastian Bach, Anderson & Roe | E♭ Major | 0 | 5B | 69 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Requiem, Op. 33b | Jón Leifs, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A♭ Major | 0 | 4B | 140 BPM | ||
Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM | ||
Tavener: The Protecting Veil: I. The Protecting Veil | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F Major | 1 | 7B | 80 BPM | ||
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM |
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