Ludwig Minkus, Nina Miller's 'Don Quixote, Act I: Kitri's Variation with Entrance' came out on January 8, 2016. With Don Quixote, Act I: Kitri's Variation with Entrance being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Nina Miller's "L. Minkus: Don Quixote - Pas de Deux and Variations" album is number 4 out of 22. On top of that, United States appears to be the country where this track was created. Based on our statistics, Don Quixote, Act I: Kitri's Variation with Entrance's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don Quixote, Act I: Kitri's Variation with Entrance by Ludwig Minkus, Nina Miller to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
Raymonda, Act I: La Romanesca (Danse pour deux dames et deux pages) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E Minor | 1 | 9A | 106 BPM | ||
Les Sylphides: 3. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 110 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
The Sleeping Beauty, Op. 66 : L'oiseau Bleu Et La Princesse Florine (Variation II) (The Blue Bird and Princess Florine) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | F Major | 1 | 7B | 121 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: I. Adagio E Spiccato - Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Sylvia, Suite: 3. Pizzicati | Léo Delibes, Gothenburg Symphony Orchestra, Neeme Järvi | C Minor | 1 | 5A | 142 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM |
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