- BPM
- 68
- Key
- A♭ Minor
- Camelot
- 1A
Fourteen Bagatelles, Op.6, Sz 38: XI. Allegretto molto rubato - Béla Bartók, Alain Planès Information
- Acousticness
- 99%
- Danceability
- 57%
- Energy
- 5%
- Instrumentalness
- 96%
- Liveness
- 11%
- Loudness
- 58%
- Speechiness
- 10%
- Valence
- 10%
- Popularity
- 1%
- Loudness
- -25.128 dB
Summary
"Fourteen Bagatelles, Op.6, Sz 38: XI. Allegretto molto rubato" by Béla Bartók, Alain Planès was released on May 19, 2014. The duration of Fourteen Bagatelles, Op.6, Sz 38: XI. Allegretto molto rubato is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Fourteen Bagatelles, Op.6, Sz 38: XI. Allegretto molto rubato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 33 in Bartók: Piano Works by Béla Bartók, Alain Planès. Fourteen Bagatelles, Op.6, Sz 38: XI. Allegretto molto rubato is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Fourteen Bagatelles, Op.6, Sz 38: XI. Allegretto molto rubato BPM
The tempo marking of Fourteen Bagatelles, Op.6, Sz 38: XI. Allegretto molto rubato by Béla Bartók, Alain Planès is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Fourteen Bagatelles, Op.6, Sz 38: XI. Allegretto molto rubato Key
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | |
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | 9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | |
 | Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | |
 | Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | |
 | Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | |
 | Satie: 6 Gnossiennes: V. No. 5 | Erik Satie, Fazıl Say | G Minor | 0 | 6A | 170 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7319138050079346
End: 0.7370734214782715