"Napoli: Act II: Hesitantly, Gennaro tries to arouse her memory" by Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. With this song being about 5 minutes long, at 4:59, "Napoli: Act II: Hesitantly, Gennaro tries to arouse her memory" by Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Napoli: Act II: Hesitantly, Gennaro tries to arouse her memory is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Napoli: Act II: Hesitantly, Gennaro tries to arouse her memory by Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Haunting Hour | Emiliano Branda | B♭ Major | 2 | 6B | 151 BPM | ||
Holberg Suite, Op. 40: I. Prelude | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 70 BPM | ||
Macbeth: The Favorite March in [Purcell’s] Bonduca | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 3 | 10B | 115 BPM | ||
Haydn: Trumpet Concerto In E Flat - Ii Andante | Franz Joseph Haydn, Tine Thing Helseth | A♭ Major | 0 | 4B | 74 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
Mozart: Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra | D♭ Minor | 2 | 12A | 93 BPM | ||
Dichter und Bauer: Overture | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | C Major | 0 | 8B | 76 BPM | ||
Military March No. 1 in D Major, D. 733 | Franz Schubert, Evgeny Kissin, James Levine | D Major | 3 | 10B | 132 BPM | ||
Samlede Orkesterværker Vol. 3: Pierrots Bluse Polka-mazurka Fra Suiten "Carnevalsglæder" (1856) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 4 | 11B | 81 BPM |
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