"Hallelujah" by Giacomo Meyerbeer, Rheinische Kantorei, Christoph Lehmann, Hermann Max was released on September 23, 2016. Since Hallelujah is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Giacomo Meyerbeer, Rheinische Kantorei, Hermann Max's "Meyerbeer: Hallelujah – The Choral Works" album is number 1 out of 13. Hallelujah is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hallelujah by Giacomo Meyerbeer, Rheinische Kantorei, Christoph Lehmann, Hermann Max to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Robert le diable, Act 2: "Idole de ma vie" (Isabelle) | Giacomo Meyerbeer, Patrizia Ciofi, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | E Major | 1 | 12B | 146 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Meyerbeer: Les Huguenots: Quoi? Meme dans Paris - Act Three | Giacomo Meyerbeer, Rita Shane, Nicolai Gedda, Enriqueta Tarres, Pedro Farres | G Major | 3 | 9B | 141 BPM | ||
Concerto For Oboe And Small Orchestra In D Major: 2. Andante | Richard Strauss, Lothar Koch, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 91 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Piano Trio in G Minor, Op. 15, JB 1:64: III. Finale. Presto | Bedřich Smetana, Smetana Trio | A Major | 0 | 11B | 88 BPM | ||
Robert le diable, Act 1: "Versez à tasse pleine" (Chorus) | Giacomo Meyerbeer, Coro del Teatro dell'Opera di Salerno, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | F Major | 2 | 7B | 133 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Symphony No. 9 in E minor, 'From the New World' B178 (Op. 95): III. Scherzo (Molto vivace) | Wolfgang Sawallisch | C Major | 1 | 8B | 126 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM |
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