Simeon ten Holt, Jeroen van Veen's '12 Korte Stukken: VII.' came out on September 29, 2023. With 12 Korte Stukken: VII. being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 244 in the song's album "Simeon ten Holt: Complete Piano Works". In this album, this song's track order is #35. Furthermore, we believe that the track originated from Netherlands. 12 Korte Stukken: VII. is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 12 Korte Stukken: VII. by Simeon ten Holt, Jeroen van Veen having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Time Curve Preludes: No. 2 | William Duckworth, Katia Labèque | F Major | 2 | 7B | 111 BPM | ||
Gnossiennes: No. 4 | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 71 BPM | ||
Dawning Sea | Marco Risolino, Ludovico Leone | E Minor | 0 | 9A | 68 BPM | ||
Ogives: 1. | Erik Satie, Reinbert de Leeuw | E Minor | 0 | 9A | 131 BPM | ||
Of Wheat Fields and Clouded Skies | Remo Anzovino | A Minor | 0 | 8A | 70 BPM | ||
Paris | Meredith Monk, Ursula Oppens | A Minor | 1 | 8A | 69 BPM | ||
Shadow 1 | Max Richter | B Minor | 5 | 10A | 132 BPM | ||
Lotus Land, Op. 47 No. 1 | Cyril Scott, Nino Gvetadze | E♭ Minor | 0 | 2A | 99 BPM | ||
Concerto No. 4, "Newton's Law": I. Choral Prelude - After Choral Prelude for Organ "Herr Gott, nun schleuß den Himmel auf", BWV 617 | Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester | A Minor | 3 | 8A | 177 BPM | ||
In a Landscape | John Cage, Raffaele Grimaldi | D Minor | 3 | 7A | 78 BPM |
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