"Cello Sonata No. 2, Op. 81: II. Andante cantabile" by Nikolai Myaskovsky, Pavel Gomziakov, Andre Korobeinikov was released on March 23, 2018. Since Cello Sonata No. 2, Op. 81: II. Andante cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pavel Gomziakov, Andrei Korobeinikov's "Myaskovsky: Cello Sonatas, Prokofiev: Fantasy & Taneyev: Canzona" album is number 5 out of 7. Cello Sonata No. 2, Op. 81: II. Andante cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Sonata No. 2, Op. 81: II. Andante cantabile by Nikolai Myaskovsky, Pavel Gomziakov, Andre Korobeinikov to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fugue in G Major | Markolyno | D Minor | 0 | 7A | 110 BPM | ||
Piano Trio in G Major, CD 5: II. Scherzo – Intermezzo. Moderato con allegro | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Abbey Road concerto for Violin and Orchestra: X. Because | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Transcr. Strauss & Rizikov for Cello and Piano) | Sergei Rachmaninoff, Lisa Strauss, Anastasia Rizikov | F♯ Major | 0 | 2B | 66 BPM | ||
Ten songs: Embraceable you | George Gershwin, Pietro Beltrani, Daniele Negrini, Tiziano Guerzoni, Tommaso Ussardi, Orchestra Senzaspine | E♭ Major | 0 | 5B | 84 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 1, Prélude - No. 2, Scène de l’hiver | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
String Quartet No. 13 in A Minor, Op. 86: III. Andante con moto e molto cantabile | Nikolai Myaskovsky, Taneyev Quartet | B♭ Major | 1 | 6B | 170 BPM | ||
String Quartet, Op. 56 "Voces intimae": II. Vivace | Jean Sibelius, Vertavo String Quartet | D Major | 0 | 10B | 71 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM |
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