"Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 5, Der Lindenbaum" by Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones had its release date on May 17, 2024. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Schubert Reimagined". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 5, Der Lindenbaum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 5, Der Lindenbaum by Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slik som eg var | Yoshie Ueno | F Major | 1 | 7B | 143 BPM | ||
Elegy (on a song by Sayat-Nova) | Arno Babadjanian, Jean-Paul Gasparian | D Minor | 1 | 7A | 68 BPM | ||
7 Preludes from 24 Preludes, Op. 34 (Arr. Strakhov for Viola & Piano): VII. Finale (after Prelude No. 24) | Dmitri Shostakovich, Simon Crawford-Phillips, Lawrence Power | C Major | 1 | 8B | 97 BPM | ||
Lamento | Simone Plé, Alexandre Pascal, Denis Pascal | B♭ Major | 0 | 6B | 132 BPM | ||
Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral | E Major | 0 | 12B | 76 BPM | ||
Seaside | Carrie Baynes | E♭ Major | 2 | 5B | 66 BPM | ||
Epilogue | Rebecca Clarke, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Viola Sonata No. 1 in C Minor, Op. 18: I. Allegro moderato | York Bowen, Timothy Ridout, Frank Dupree | E♭ Major | 1 | 5B | 135 BPM | ||
憶舊遊~旋律 | 蔡榮吉 | E♭ Major | 2 | 5B | 96 BPM | ||
Herbst, D. 945 - Arr. for Cello & Piano by Trey Lee | Franz Schubert, Trey Lee, Georgy Tchaidze, Emilia Hoving | G Major | 2 | 9B | 85 BPM |