"Dies iste: Quod praecessi in figura" by Lorenzo Perosi, Budapest Symphony Orchestra, Budapest Choir, Arturo Sacchetti, Antal Mátyás, Jaroslava Horska, Peter Mikulas, Eva Andor, Attila Fülöp was released on March 18, 1989. The duration of Dies iste: Quod praecessi in figura is about 3 minutes long, at 3:23. Based on our data, "Dies iste: Quod praecessi in figura" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Perosi - Stabat Mater - Dies Iste - Inno della pace". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Austria. Dies iste: Quod praecessi in figura is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dies iste: Quod praecessi in figura by Lorenzo Perosi, Budapest Symphony Orchestra, Budapest Choir, Arturo Sacchetti, Antal Mátyás, Jaroslava Horska, Peter Mikulas, Eva Andor, Attila Fülöp having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Somma: Ave Maria | Bonaventura Somma, Schola Cantorum San Daniele, Angelo Zanatta, Donato Cuzzato | A♭ Major | 1 | 4B | 87 BPM | ||
Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | C Major | 1 | 8B | 86 BPM | ||
Missa Secunda Pontificalis: Agnus Dei | Lorenzo Perosi, Corale Polifonica di Sommariva Bosco, Adriano Popolani, Marco Limone | D♭ Minor | 1 | 12A | 138 BPM | ||
Regina coeli | Antonio Lotti, Liverpool Metropolitan Cathedral Choir, Mervyn Cousins | G Major | 1 | 9B | 77 BPM | ||
Annelies (chamber version): II. The capture foretold | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 101 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): I. Kyrie | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | E Minor | 0 | 9A | 84 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Francis Bardot, Maîtrise des Hauts-de-Seine, Ensemble National Français, Odile Perceau | G Minor | 3 | 6A | 123 BPM | ||
Gentle Waves | Alexander Därr | C Major | 0 | 8B | 174 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The Lord shall reign for ever and ever I (Chorus) - Recitative: For the horse of Pharaoh went in (Tenor) - The Lord shall reign for ever and ever II (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM |
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