Gerald Barry, Joshua Bloom, Barbara Hannigan, Birmingham Contemporary Music Group, Thomas Adès's ' "The Importance of Being Earnest, Act II: You Are My Little Cousin Cecily (Live)" was released on its scheduled release date, November 4, 2014. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 15 out of 37. On top of that, United Kingdom appears to be the country where this track was created. The Importance of Being Earnest, Act II: You Are My Little Cousin Cecily (Live) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Importance of Being Earnest, Act II: You Are My Little Cousin Cecily (Live) by Gerald Barry, Joshua Bloom, Barbara Hannigan, Birmingham Contemporary Music Group, Thomas Adès to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Baroness von Ritkart (Version for Violin & Piano): I. Clever, Noble, but Not Talented | Gerald Barry, Darragh Morgan, Mary Dullea | E♭ Major | 0 | 5B | 88 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
The Intelligence Park, Act III: Dublin Packet Bari Cruel Finesse | Gerald Barry, Vincent Deane, Angela Tunstall, Nicholas Clapton, Almeida Ensemble, Robert Houlihan | E♭ Major | 2 | 5B | 106 BPM | ||
St. Paul's Suite, Op. 29, No. 2: IV. Finale (The Dargason) | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | C Major | 2 | 8B | 81 BPM | ||
Don Giovanni, K.527: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 129 BPM | ||
Piano Sonata No.8 in C minor, Op.13 -"Pathétique": 1. Grave - Allegro di molto e con brio | Ludwig van Beethoven, YUNDI | G Major | 1 | 9B | 92 BPM | ||
Alice's Adventures Under Ground: “Bread And Butter” | Gerald Barry, Andre de Ridder, Claudia Boyle, Hilary Summers, Irish National Opera, Irish Chamber Orchestra | B Minor | 3 | 10A | 86 BPM | ||
The Importance of Being Earnest, Act II: Garden at the Manor House (Live) | Gerald Barry, Hilary Summers, Barbara Hannigan, Birmingham Contemporary Music Group, Thomas Adès | C Major | 1 | 8B | 82 BPM | ||
African Suite: IV. Danse Negre | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | D Minor | 0 | 7A | 74 BPM |