Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling made "Antiche danze et arie per liuto, Suite No. 2, P. 138: IV. Bergamasca" available on September 1, 2010. With this song being about 5 minutes long, at 4:49, "Antiche danze et arie per liuto, Suite No. 2, P. 138: IV. Bergamasca" by Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 82 in the song's album "Respighi: Orchestral Works". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Antiche danze et arie per liuto, Suite No. 2, P. 138: IV. Bergamasca is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Antiche danze et arie per liuto, Suite No. 2, P. 138: IV. Bergamasca by Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Impromptu in G-Flat Major, Op. 90, No. 3: Andante | Franz Schubert, Vladimir Horowitz | F♯ Major | 0 | 2B | 65 BPM | ||
24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Respighi & Rossini: La boutique fantasque, P. 120: III. Mazurka | Gioacchino Rossini, Ottorino Respighi, Alceo Galliera, Philharmonia Orchestra | C Major | 1 | 8B | 147 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM |
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