"Toccata And Fugue In D Minor, Bwv 565" by A Nanut was released on January 1, 1998. Since Toccata And Fugue In D Minor, Bwv 565 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Classical Masterpieces, so we believe that "Toccata And Fugue In D Minor, Bwv 565" is a single. Toccata And Fugue In D Minor, Bwv 565 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Toccata And Fugue In D Minor, Bwv 565 by A Nanut is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op.9: 12. Chopin | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM | ||
Songs without Words for Piano, Book 2, op.30: No.6: Venetian Gondolera Song ("Venezianisches Gondellied") | Peter Schmalfuss | C Major | 1 | 8B | 89 BPM | ||
Orpheus, Che Puro Ciel | A Nanut | G Major | 1 | 9B | 135 BPM | ||
Pavana-Capricho, Op. 12 | Isaac Albéniz, Alicia de Larrocha | E Major | 1 | 12B | 77 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd | E Major | 0 | 12B | 80 BPM | ||
Piano Sonata in G Minor: I. Allegro | Clara Schumann, Jozef De Beenhouwer | E♭ Major | 1 | 5B | 72 BPM | ||
Chanson triste, Op. 40: No. 2 | Pyotr Ilyich Tchaikovsky, Sviatoslav Richter | G Minor | 0 | 6A | 101 BPM | ||
Satie: 6 Pièces froides, Pt. 2: Danses de travers, III. Encore | Erik Satie, Anne Queffélec | A Minor | 0 | 8A | 87 BPM | ||
Tosca, Vissi D'Arte | A Nanut | E♭ Major | 1 | 5B | 71 BPM | ||
Fantasiestücke op. 12 - I. Des Abends | Peter Schmalfuss | D♭ Major | 0 | 3B | 97 BPM |
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