Malcolm Arnold, Arthur Campbell, Helen Marlais made "Sonatina for Clarinet and Piano: Allegro con brio" available on February 17, 2012. The duration of Sonatina for Clarinet and Piano: Allegro con brio is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Sonatina for Clarinet and Piano: Allegro con brio's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Works for Clarinet and Piano by Schumann, Debussy, Saint-Saëns, Poulenc and Arnold by Arthur Campbell, Helen Marlais. The song's track number on the album is #12 out of 14 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Sonatina for Clarinet and Piano: Allegro con brio's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Sonatina for Clarinet and Piano: Allegro con brio by Malcolm Arnold, Arthur Campbell, Helen Marlais has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sonatina for Clarinet and Piano: Allegro con brio being at 138 BPM, the half-time would be 69 BPM with a double-time of 276 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 1/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Give Us This Day: I. — | David Maslanka, The University of Texas Wind Ensemble, Jerry Junkin | B♭ Major | 0 | 6B | 86 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Concertino in E flat, J109 (Op. 26): III: Rondo (Allegretto) | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | G Minor | 0 | 6A | 68 BPM | ||
Clarinet Sonata, FP 184: I. Allegro tristamente | Francis Poulenc, Martin Fröst, Roland Pöntinen | A Minor | 0 | 8A | 77 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | F Minor | 4 | 4A | 80 BPM | ||
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): II. Andante | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | A Minor | 0 | 8A | 137 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: I. Allegretto | Dmitri Shostakovich, Mariss Jansons, Mikhail Rudy, Ole Edvard Antonsen, Berliner Philharmoniker | D Major | 0 | 10B | 128 BPM | ||
Philharmonic Concerto, Op. 120: III. Chacony | Malcolm Arnold, BBC Philharmonic, Rumon Gamba | B♭ Major | 2 | 6B | 157 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM |
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