"Christ Lag In Todesbanden, Cantate Bwv 4" by Nicol Matt, Jörg Halobek, Robert Sagasser, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Nordic Chamber Choir, Martina Rotbauer, Jens Wollenschläger, Johann Sebastian Bach was released on March 28, 2007. With Christ Lag In Todesbanden, Cantate Bwv 4 being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of Christ Lag In Todesbanden, Cantate Bwv 4 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christ Lag In Todesbanden, Cantate Bwv 4 by Nicol Matt, Jörg Halobek, Robert Sagasser, Heike Hümmer, Soloists Of The Freiburger Barockorchester, Ute Petersilge, Nordic Chamber Choir, Martina Rotbauer, Jens Wollenschläger, Johann Sebastian Bach is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deutsche Messe, D. 872: Das Gebet des Herrn: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Psalm 23, SwWV 310, "Mein Huter und mein Hirt": Variation 1 | Jan Pieterszoon Sweelinck, Joseph Kelemen | F♯ Minor | 0 | 11A | 67 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Nun komm, der Heiden Heiland Buxwv 211 | Dietrich Buxtehude, Leonardo Carrieri | A♭ Major | 0 | 4B | 119 BPM | ||
Sinfonia in D Major, (G. 8): IV. Allegro | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | D Major | 4 | 10B | 112 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Elias, Op. 70: Part I: Wohl dem, der den Herrn fürchtet (No. 9 Chorus) | Felix Mendelssohn, Karl-Friedrich Beringer | G Major | 1 | 9B | 166 BPM | ||
Daran ist erschienen die Liebe Gottes, TWV 1:165: Chorus: Du heiliges Licht, edler Hort | Georg Philipp Telemann, Stefanie Wüst, Angela Froemer, Georg Poplutz, Jens Hamann, Siegen Collegium Vocale, Hannoversche Hofkapelle, Ulrich Stötzel | F♯ Major | 1 | 2B | 113 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Missa Pontificalis: Kyrie | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | D Minor | 0 | 7A | 70 BPM |
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