- BPM
- 89
- Key
- D Minor
- Camelot
- 7A
Adams: Nixon in China: Act III - "Let Us Examine What You Did." - John Adams, Edo de Waart, Orchestra of St. Luke's Information
- Acousticness
- 94%
- Danceability
- 23%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 29%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 4%
- Loudness
- -24.667 dB
Summary
"Adams: Nixon in China: Act III - "Let Us Examine What You Did."" by John Adams, Edo de Waart, Orchestra of St. Luke's was released on November 1, 1996. The duration of Adams: Nixon in China: Act III - "Let Us Examine What You Did." is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Adams: Nixon in China: Act III - "Let Us Examine What You Did."'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Nixon In China". In this album, this song's track order is #34. Adams: Nixon in China: Act III - "Let Us Examine What You Did." is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Adams: Nixon in China: Act III - "Let Us Examine What You Did." BPM
With Adams: Nixon in China: Act III - "Let Us Examine What You Did." by John Adams, Edo de Waart, Orchestra of St. Luke's having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Adams: Nixon in China: Act III - "Let Us Examine What You Did." Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Pour la danseuse aux crotales | Anne Kaasa | A Minor | 0 | 8A | 65 BPM | |
 | A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 77 BPM | |
 | String Quartet No. 1 in F Major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato | Ludwig van Beethoven, Jerusalem Quartet | E♭ Major | 1 | 5B | 112 BPM | |
 | 6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | |
 | Les heures persanes, Op. 65: No. 1. Sieste, avant le depart: Lent | Charles Koechlin, Ralph van Raat | B Major | 0 | 1B | 66 BPM | |
 | The Unanswered Question | Charles Ives, Oregon Symphony, Carlos Kalmar | C Major | 0 | 8B | 122 BPM | |
 | Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | |
 | Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | |
 | Le tombeau de Couperin (arr. Z. Kocsis): I. Prelude: Vif | Zoltán Kocsis, Maurice Ravel, Hungarian National Philharmonic | E Minor | 1 | 9A | 81 BPM | |
 | Strum | Jessie Montgomery, Catalyst Quartet | A Minor | 2 | 8A | 158 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7617747783660889
End: 0.7667510509490967